Matches 101 - 150 out of 286 < 1 2 3 4 5 6 >


Match Document Document Title
200723445 Ethnically marked "heroes": from Rikidozan to Shunpei in Blood and Bones.  
200723444 Promoting virtue and punishing vice: Tarantino's Kill Bill and the return of Bakumatsu aesthetics.  
200723443 "My stockings. Lip them": consuming Japan through film and video games.  
200723442 Technoghosts and culture shocks: sociocultural shifts in American remakes of J-horror.  
200723441 Ghosts in a super flat global village: globalization, surrealism, and contemporary Japanese horror films.  
200723440 Mecha Samurai: Kurosawa in the world of anime.  
200723439 Whatever happened to films inspired by comics?: The case of Always (2005).  
200723438 Visual evolution across the Pacific: the influence of anime and video games on US film media.  
200723437 The bestseller recipe: a natural explanation of the global success of anime.  
200723436 Introduction.  
200723435 Testimonials: remembering Keiko I. McDonald.  
200723032 David Martin-Jones. Deleuze, Cinema, and National Identity: Narrative Time in National Contexts.  
200723031 Annual bibliography of film studies--2007.  
200723030 The vision and the struggle: June Mathis's work on Ben-Hur (1922-24).  
200723029 Drifting bodies and flooded spaces: visualizing the invisibility of heteronormativity in Tsai Ming-liang's The River.  
200723028 "Blame the Swedish guy": the cultural construction of a Cold War auteur.  
200723027 Dancing in Hollywood's blue box: genre and screen memories in Mulholland Drive.  
191765328 Catastrophe and finitude in Lee Chang Dong's Peppermint Candy: temporality, narrative, and Korean history.  
191765327 "Am I your sidekick?" Contemporary Korean gangster cinema: Beat and Friend.  
191765326 Reinventing the historical drama, de-westernizing a French classic: genre, gender, and the transnational imaginary in Untold Scandal.  
191765325 Drift and duration in Hong Sang-soo's The Day a Pig Fell into the Well.  
191765324 The political unconscious of Park Chan-wook: the logic of revenge and the structures of global capitalism (1).  
191765323 Empty houses haunted: hauntology of space in Kim Ki-duk's 3-Iron.  
191765322 En-gendering re-gendered romance of multiple lives: reincarnation in Bungee Jumping of Their Own.  
191765321 Reliving Winter Sonata: memory, nostalgia, and identity.  
191765320 Korean TV dramas and the Japan-style Korean wave.  
191765319 South Korean popular culture goes transnational.  
191765318 Introduction.  
184745852 A selected bibliography of secondary sources on the films of Joel and Ethan Coen.  
184745851 "Secret shit": the uncertainty principle, lying, deviations, and the movie creativity of the Coen Brothers.  
184745850 On ladies, killing, and the ethics of the remake: The Coen Brothers do The Ladykillers.  
184745849 The Purloined Letter and the Massey Prenup: of ethics, the Lacanian real, and nuptial bliss in Intolerable Cruelty.  
184745848 "A real imaginary place": reality and fantasy from Blood Simple to The Man Who Wasn't There.  
184745847 O Brother, What Art Thou?: postmodern pranksterism, or parody with a purpose?  
184745846 "Trapped by their pasts": noir and nostalgia in The Big Lebowski.  
184745845 From The Hudsucker Proxy to Fargo: "a different concept, a different kind of film".  
184745844 "You're very beautiful.... are you in pictures?": Barton Fink, O Brother, Where Art Thou? And the purposes of art.  
184745843 Miller's Crossing's Tom Reagan: "Straight as a corkscrew, Mr. inside-outsky".  
184745842 The unbearable blandness of being: the everyday and Muzak in Barton Fink and Fargo.  
184745841 Schizophrenia and postmodernism: Raising Arizona, Barton Fink, and "The Coen Brothers".  
184745840 Razing Cain: excess signification in Blood Simple and The Man who Wasn't There.  
184745839 Introduction: "If you think we're alive, you ought to speak".  
176371865 Annual bibliography of film studies--2006.  
176371864 Ethnographic documentary filmmakers Sarah Elder and Leonard Kamerling: an interview.  
176371863 Sighting/siting/citing the city: the construction of Paris in twenty-first century cinema.  
176371862 Dreaming back: Tracey Moffatt's bedeviling films.  
176371861 Chick flicks and chick culture.  
176371860 Interview: Laurie Collyer.  
172169167 Renov, Michael. The Subject of Documentary.  
172169166 More than a hoax: William Karel's critical mockumentary dark side of the moon.  

Matches 101 - 150 out of 286 < 1 2 3 4 5 6 >