Matches 51 - 100 out of 286 < 1 2 3 4 5 6 >


Match Document Document Title
258814574 Being There in the nation's capital: Hal Ashby's subversive take on the Washington, D.C., movie.  
247034914 Remembering Smoke Signals: interviews with Chris Eyre and Sherman Alexie.  
247034913 Two-spirit film criticism: Fancydancing with Imitates Dog, Desjarlais and Alexie.  
247034912 Fact or fiction? (Genre) border crossing in American Indian film.  
247034911 The training of indigenous videomakers by the Mexican state: negotiation, politics and media.  
247034910 Why make movies?: some Atikamekw answers.  
247034909 Structuring knowledges: caching Inuit Architecture through Igloolik Isuma Productions.  
247034908 Indigenous (re)memory and resistance: video works by Dana Claxton.  
247034907 Dismantling the master's house: the feminist fourth cinema documentaries of Alanis Obomsawin and Loretta Todd.  
247034906 Indigenous women in film and video: three generations of storytellers and an interview with emerging filmmaker Sally Kewayosh.  
247034905 Introduction to Native American/indigenous film.  
247223179 Allen Daviau.  
247223178 Saura and Storaro: a professional friendship.  
247223177 Dante Spinotti.  
247223176 Michael Apted.  
247223175 Dean Tavoularis.  
247223174 Dede Allen.  
247223173 Owen Roizman.  
247223172 Caleb Deschanel.  
247223171 Selected images.  
247223170 Steven Poster.  
247223169 John Bailey.  
247223168 Vilmos Zsigmond.  
247223167 Abel Ferrara.  
247223166 Raoul Coutard.  
247223165 Todd McCarthy.  
247223164 Vittorio Storaro: a lifetime in light.  
247223163 Storaro with Longoni on Caravaggio (cont'd).  
247223162 Vittorio Storaro on the art of Cinematography, with Director Angelo Longoni on Caravaggio (2007).  
247223161 Vittorio Storaro on Caravaggio, an artist of light and shadow, with Director Angelo Longoni.  
247223160 Introduction: Vittorio Storaro, cinematographer as painter with light and motion.  
222679397 Fames Kendrick, Hollywood Bloodshed: Violence in 1980s American Cinema.  
222679396 Annual bibliography of film studies--2008.  
222679395 Epistemic capital: the etiology of an "Elitist" Film Canon's aesthetic criteria.  
222679394 Go-for-broke games of history: Chris Marker between "old" and "new" media.  
222679393 From the margins to the margins: the representation of blacks in classic Argentine cinema.  
211362431 Mocumentary filmography.  
211362430 Borat, or pessimism: on the paradoxes of multiculturalism and the ethics of laughter.  
211362429 Tickling and teasing the real: mocking reality TV in the film Series 7.  
211362428 "Show yourself and say what you want": mocking the objective claim in Cache.  
211362427 Mirrors that lie: the reflection of reality in Andalucia, un siglo de fascinacion.  
211362426 Performance, race, mock-documentary and the Australian national imaginary in The Nominees.  
211362425 The Aussie battler personified: why everyone loves Kenny.  
211362424 From trailer trash to Trailer Park Boys.  
211362423 Heart of darkness with a wink: the evolution of the killer mockumentary, from Man Bites Dog to The Magician.  
211362422 David Holzman's diary: a critique of direct cinema.  
211362421 Naked film: stripping with The Idiots.  
211362420 It's as real as it gets: They Shoot Movies Don't They? ... the Making of Mirage: interviews with Frank Gallagher, co-writer, director; Tom Wilson, co-writer.  
211362419 Introduction: at play in the fields of the truth.  
200723446 The European fantasy space and identity construction in Porco Rosso.  

Matches 51 - 100 out of 286 < 1 2 3 4 5 6 >