Title:
Typeface
Document Type and Number:
United States Patent D797841

Inventors:
Beavers, Adeline Lee (Mountain View, CA, US)
Scaglione, José (Rosario, AR)
Burian, Veronika (Munich, DE)
Gu, Xinxing (San Jose, CA, US)
Robertson, Christian (Pleasanton, CA, US)
Crossland, Dave Peter (Corfe Mullen, GB)
Application Number:
29/524229
Publication Date:
09/19/2017
Filing Date:
04/17/2015
View Patent Images:
Assignee:
Google Inc. (Mountain View, CA, US)
Primary Class:
International Classes:
(IPC1-7): 1803
Field of Search:
D18/24, D18/25, D18/26, D18/27, D18/28, D18/29, D18/30, D18/31, D18/32, D18/33, D14/490, 101/398, 101/399, 400/484
US Patent References:
D765768TypefaceSeptember, 2016HecksherD18/24
D767018FontSeptember, 2016NadavD18/24
D740354Type fontOctober, 2015CarterD18/24
D739458Type fontSeptember, 2015CarterD18/24
D704258Type fontMay, 2014SlimbachD18/24
D696338Type fontDecember, 2013SlimbachD18/24
D653700TypefaceFebruary, 2012SlimbachD18/24
D652071Type fontJanuary, 2012PhinneyD18/24
D650833TypefaceDecember, 2011SlimbachD18/24
D553671Type fontOctober, 2007LanzD18/24
D553672Type fontOctober, 2007ZapfD18/24
D546379Type fontJuly, 2007ZapfD18/24
D544524Type fontJune, 2007LanzD18/24
D517116Type fontMarch, 2006HudsonD18/24
D497175Type fontOctober, 2004SlimbachD18/24
D477353Type fontJuly, 2003BertramD18/24
D476027Type fontJune, 2003BertramD18/24
D454152Type fontMarch, 2002SlimbachD18/24
D375517Font of typeNovember, 1996DarbyD18/24
D282750TypefaceFebruary, 1986InazukaD18/24
D261899Typeface for photocompositionNovember, 1981ChepilD18/25
D261900Typeface for photocompositionNovember, 1981ChepilD18/25
1866629Alphabet typeJuly, 1932Dietz101/399
D037348N/AFebruary, 1905MarshD18/24
D037357N/AFebruary, 1905OrchardD18/24
Other References:
“Amazon Bookerly vs Google Literata: Fighy!” article posted to the Internet on Jun. 25, 2015. Retrieved from the Internet on May 24, 2016. URL: http://oelna.de/blog/?p=4115. (6 pages).
“Google Officially Introduces Literata, the New Default Font for Play Books” article posted to the Internet on May 18, 2015. Retrieved from the Internet on May 24, 2016. URL: http://9to5google.com/2015/05/18/google-play-books-default-font-replace-droid-serif/. (3 pages).
“How Google Designed an E-Book Font for Any Screen” article posted to the Internet on May 21, 2015. Retrieved from the Internet on May 24, 2016. URL: http://www.fastcodesign.com/3046511/how-google-made-an-e-book-font-designed-for-any-screen. (4 pages).
“Literata,” article posted to the Internet in May 2015. Retrieved from the Internet on May 24, 2016. URL: http://www.type-together.com/literata. (12 pages).
“Palatino Nova” type font available online. Created by Hermann Zapf and Akira Kobayashi in 2005. Debut to MyFonts on the Internet on Mar. 19, 2012. Retrieved from the Internet on Oct. 7, 2016. URL: http://www.myfonts.com/fonts/linotype/palatinonova/. (16 pages).
“Clarendon,” type font available online. Created by Linotype. Debut to MyFonts on the Internet on Dec. 3, 2007. Retrieved from the Internet on Oct. 7, 2016. URL: http://www.myfonts.com/fonts/adobe/clarendon/. (8 pages).
“Scotch Roman,” type font available online. Created by A. D. Farmer. Debut to MyFonts on the Internet on Dec. 12, 2001. Retrieved from the Internet on Oct. 7, 2016. URL: http://www.myfonts.com/fonts/mti/scotchromanmt/. (5 pages).
“Georgia,” type font available online. Created by Matthew Carter and Tom Rickner in 1996. Debut to MyFonts on the Internet on Feb. 13, 2006. Retrieved from the Internet on Oct. 7, 2016. (10 pages).
“Athelas” typeface designed by Jose Scaglione and Veronika Burian in 2008 [on-line]. Available on the Internet at least as early as May 7, 2008; retrieved from the Internet Oct. 15, 2016. URL: . (14 pages).
“Century 731” typeface [on-line]. Available on the Internet at least as early as Jan. 1, 2000; retrieved from the Internet Oct. 15, 2016. URL: . (13 pages).
“Century Old Style” typeface [on-line]. Published by URW++, available on the Internet at least as early as Mar. 17, 2000; retrieved from the Internet on Oct. 15, 2016. URL: . (12 pages).
“Century Schoolbook” typeface designed by Morris Fuller Benton in 1924 [on-line]. Available on the Internet at least as early as Jan. 1, 2000; retrieved from the Internet on Oct. 15, 2016. URL: . (11 pages).
Sample of Mergenthaler Linotype “Caslon Old Face, 12 point” shown in article entitled, “Reviving Caslon,” by William Berkson [on-line]. Posted to the Internet Jul. 26, 2010; retrieved from the Internet Oct. 15, 2016. URL: . (8 pages).
“Troia Text” typeface designed by Jordi Embodas and Noe Blanco in 2014 [on-line]. Available on the Internet at least as early as Oct. 8, 2014; retrieved from the Internet Oct. 15, 2016. URL: . (14 pages).
The Greek Alphabet [on-line]. Available on the Internet at least as early as Mar. 3, 2014; retrieved from the Internet Oct. 16, 2016. URL: . (1 page).
Cyrillic alphabet sample in, “The Beauty of Typography: Writing Systems and Calligraphy, Part 2,” [on-line]. Posted by Jessica Bordeau Jun. 22, 2010; retrieved from the Internet Oct. 16, 2016. URL: . (37 pages, see pp. 14-17).
Primary Examiner:
Eldridge Powers, Karen E.
Assistant Examiner:
Mlinarcik, Jasmine
Attorney, Agent or Firm:
Shumaker & Sieffert, P.A.
Claims:
CLAIM

1. We claim the ornamental design for a typeface, as shown and described.

Description:

FIG. 1 is a face view of a first embodiment of a typeface showing our new design;

FIG. 2 is a face view of symbols of the first embodiment of the typeface;

FIG. 3 is a face view of a bold version of the first embodiment of the typeface;

FIG. 4 is a face view of a bold version of the symbols of the first embodiment of the typeface;

FIG. 5 is a face view of a second embodiment of the typeface showing our new design;

FIG. 6 is a face view of an italicized version of the second embodiment of the typeface;

FIG. 7 is a face view of a third embodiment of the typeface showing our new design;

FIG. 8 is a face view of the first portion of the fourth embodiment of the typeface showing our new design; and,

FIG. 9 is a face view of the second portion of the fourth embodiment of the typeface showing our new design.